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dc.creatorGayetzky de Kuna, Graciela Cecilia
dc.creatorRivero, Ángela Beatriz
dc.creatorFerreyra, Alba Cristina
dc.date.accessioned2023-02-03T14:19:10Z
dc.date.available2023-02-03T14:19:10Z
dc.date.issued2017-12-13
dc.identifier.citationGayetzky, G. C., Rivero, Á. B., y Ferreyra, A. C. (2017). Argentina's cultural heritage, digitization and accessibility : case study: Misiones, visibility of your modern movement’s heritage. Asamblea General y Simposium Científico "Heritage and Democracy" (19º : 2017 Diciembre 11-15 : Nueva Dehli, India). India: ICOMOS , 12 p.es_AR
dc.identifier.otherCCPI-FHyCS-DC-377
dc.identifier.other9797
dc.identifier.urihttps://hdl.handle.net/20.500.12219/4579
dc.descriptionFil: Gayetzky de Kuna, Graciela Cecilia. Universidad Nacional de Misiones. Facultad de Humanidades y Ciencias Sociales; Argentina.es_AR
dc.descriptionFil: Rivero, Ángela Beatriz. Universidad Nacional de Misiones. Facultad de Humanidades y Ciencias Sociales; Argentina.es_AR
dc.descriptionFil: Ferreyra, Alba Cristina. Universidad Nacional de Misiones. Facultad de Humanidades y Ciencias Sociales; Argentina.es_AR
dc.description.abstractFrom its provincialization (1953), a series of architectural competitions were held in Misiones, which facilitated the subsequent construction of buildings that housed various functions of the new provincial state: administrative, educational, sanitary, tourist, etc. As expressions of the Modern Movement that was developing incipiently in Argentina during those years. These works are an eminent example of a type of architecture that illustrates a significant stage in the history of humanity and could together with others of the same style integrate the emblematic heritage of Argentina recognized by UNESCO, the Casa Curutchet (UNESCO World Heritage 2016). Increasing the list made up of the Perito Moreno Glacier (UNESCO World Heritage 1981), the Iguazu Falls and the Jesuit Missions of Guaraníes (UNESCO World Heritage 1984), the Humahuaca’s Quebrada and Hands’ Caves (UNESCO World Heritage 2003). At present, we are thinking that its process of conservation has a new edge in the digitization, signing that we have undertaken jointly with ICOMOS Argentina with a proposal we made in 2014 and that has been perfecting since then. This was possible because we have seen that the new means of interpretation and with online accessibility facilitates the dissemination of our rich in diversity heritage: its natural as cultural and tangible and intangible. For this we have designed a file that is being implemented to include the assets in a digital repository between the National University of Misiones and ICOMOS and then available to include the set of assets of Argentina. We are doing it with the conviction that we must contribute to the visibility of the goods and the digitization, which is one more, can contribute to their knowledge. We start by believing that what is not known, not wanted and what is not wanted, is not preserved.en
dc.formatapplication/pdf
dc.format.extent2.201 MB
dc.language.isoengen
dc.publisherComité Internacional para Monumentos y Sitioses_AR
dc.relationinfo:eu-repo/semantics/altIdentifier/urn/http://openarchive.icomos.org/id/eprint/2028/1/18._ICOA_642_Ferreyra_SM.pdf
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subjectDigital resourcesen
dc.subjectInterpretationen
dc.subjectDisseminationen
dc.subjectAccessibilityen
dc.titleArgentina's cultural heritage, digitization and accessibility : case study: Misiones, visibility of your modern movement’s heritageen
dc.typeinfo:eu-repo/semantics/conferenceObject
dc.typeinfo:ar-repo/semantics/documento de conferencia
dc.typeinfo:eu-repo/semantics/publishedVersion


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